Mazu, also known as Tianhou
(Heavenly Mother), was a real woman who was born in
96O in Fujian's Meizhou Bay, near present-day Meizhou
Island. At an early age she began to exhibit a religious
disposition, and was thus given secret teachings by
a Taoist priest. Using her magical powers, she often
helped those in distress, in particular sailors and
fishermen, and when she died she became known as the
Goddess of the Sea.
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Mazu's main temple is located on Meizhou Island,
where temple fairs are held in her honour every
year. However, throughout China there are many
other Mazu temples and Mazu temple fairs, the
oldest such fair being held on Changdao Island
in Shandong Province. The city of Tianjin, also
on the coast, has its own Mazu Temple (called
Tianhou Temple), and was once the location of
the largest and grandest Mazu Temple Fair in
all the land.
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1. The History of Tianjin's
Imperial Fair
After Emperor Kublai Khan (r. l27l-l294) of the Yuan
Dynasty moved the capital to Beijing, the population
of the city grew and it became necessary to import
great quantities of grain from southern China. The
cheapest way to transport the grain was by sea or
by canal, but the Grand Canal had been silted up and
had fallen into disuse during the Song Dynasty. The
sea thus became the only transportation route, and
as Tianjin was both on the coast and near the capital,
it soon became a crucial port and transportation hub.
In the early years of the Qing Dynasty, Emperor Kangxi
(r. l662-l722) made a tour to Tianjin and planned
a visit to the Mazu Temple. The local officials saw
this as a good opportunity to please the emperor,
and spent a great amount of silver to stage a variety
of spectacular shows. As a result, they received high
praise from the emperor, and afterwards the temple
fair in Tianjin became known as the Imperial Fair.
On a later occasion, Emperor Qianlong (r. 1736-1795)
stopped at Sanchakou Port in Tianjin on his way to
tour the area south of theYangtse River, and happened
to see the temple fair. He too greatly enjoyed the
entertainment, and his lavish praise brought yet greaterfame
to Tianjin's Tianhou Temple.
The two most important days for Mazu worship - and
therefore for holding temple fairs - are her birthday
(the 23rd day of the third lunar month) and the day
of her ascension to Heaven (the ninth day of the ninth
lunar month). Of the two, her birthday is the occasion
of the grandest celebration, thus Tianjin's Imperial
Fair was at its most spectacular on that date every
year.
2. Remarkable Paintings
Keep Tradition Alive
After l911, with the fall of the Qing Dynasty and
the social turmoil that followed for many years after,
the Imperial Fair in Tianjin fell into oblivion, and
only scant written records remain of the event.
Fortunately, however, Beijing's Chinese History Museum
has a remarkable set of Qing-dynasty paintings which
portray scenes from the Imperial Fair held in Tianjin's
Mazu Temple a century ago. Included are 100 pictures
of performances and spectacles put on during the fair,
accompanied by detailed explanations. These vivid
portraits contain a total of some l0,000 human figures
and are an invaluable source of information for modern-day
researchers.
At that time, there were many so-called "Incense
Societies" in Tianjin - locally organized groups
of volunteer folk artists. Some were named after the
profession of the members, such as "the Divine
Joy Society of Fishermen", while others were
named after the location, as in "the Stilt Society
of the Hedong Great Temple".
In Tianjin, by the late Qing Dynasty there were about
100 such societies. On the occasion of an Imperial
Fair, folk artists would flock to the Mazu Temple
from all directions, occupy a plot of land and then
put on their best shows. Apart from this type of stationary
show,
There was another type dubbed "the Walking Fair",
in which participants performed as they toured the
area on foot. Walking Fairs were subdivided into Civil
Fairs and Military Fairs.
The Military Fairs featured acrobatic tricks and
daring feats of skill, thus were a greatly popular
form of entertainment. Acts included Flying Pennants
Atop Poles, the Lion Dance, the Pole-Climbing Event,
Walking on Stilts, the Canopy Parade, the Pagoda and
Tripod Parade, the Flower Show, the Lantern and Fan
Show, the Lantern Parade, the Yangko Dance and many
more. The pictures show clearly each colourful performance,
along with the costumes worn back then and the various
props and objects used.
Although the historical scrolls offer vivid images
of the Imperial Fair, they cannot compare with seeing
the real thing. Therefore, in recent years the area
at Sanchakou Port, where Emperor Qianlong once watched
the fair from his boat, was designated an area of
historical and cultural importance, and at its centre
is Mazu Temple. The long-neglected Imperial Fair has
been revived, and every year, on Mazu's birthday and
the day of her ascension to Heaven, the temple comes
alive with the pomp and pageantry of this colourful
event.
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